<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-24T11:39:00Z</responseDate><request verb="GetRecord" identifier="oai:www.repository.cam.ac.uk:1810/382206" metadataPrefix="uketd_dc">https://api.repository.cam.ac.uk/server/oai/request</request><GetRecord><record><header><identifier>oai:www.repository.cam.ac.uk:1810/382206</identifier><datestamp>2026-03-12T01:41:53Z</datestamp><setSpec>com_1810_221762</setSpec><setSpec>com_1810_256061</setSpec><setSpec>col_1810_221763</setSpec></header><metadata><uketd_dc:uketddc xmlns:uketd_dc="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:uketdterms="http://naca.central.cranfield.ac.uk/ethos-oai/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/ http://naca.central.cranfield.ac.uk/ethos-oai/2.0/uketd_dc.xsd">
   <dc:title>‘See and Understand’: Funerary Monuments, Vision, and Memory in Italy, ca.1300-1530</dc:title>
   <dc:identifier xsi:type="dcterms:DOI">https://doi.org/10.17863/CAM.117114</dc:identifier>
   <dc:creator>Muijtjens, Philip</dc:creator>
   <uketdterms:advisor>Cooper, Donal</uketdterms:advisor>
   <dcterms:abstract>This thesis will study the polyvalent and often contradictory nature of theory and practice for funerary monuments in Italy between ca. 1300 and 1530. The principal focus will be on the juxtaposition of written thought on the agency of tombs with the in-depth analysis of archive-based case studies. As such, this dissertation aims to highlight the complexity of the role of the funerary monument in Italy from the fourteenth through to the sixteenth centuries, while also providing a broader overview of important patterns of thought and practice which influenced the creation of funerary monuments and vice versa.</dcterms:abstract>
   <uketdterms:institution>University of Cambridge</uketdterms:institution>
   <dcterms:issued>2024-07-18</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <uketdterms:qualificationlevel>Doctoral</uketdterms:qualificationlevel>
   <uketdterms:qualificationname>Doctor of Philosophy (PhD)</uketdterms:qualificationname>
   <dc:language>eng</dc:language>
   <uketdterms:sponsor>Artes CEEH, Association for Art History, Elly Cassee Stichting, Francis Haskell Memorial Fund, Gladys Krieble Delmas Foundation, Kettle’s Yard Travel Awards, the Nederlands Interuniversitair Kunsthistorisch Instituut (NIKI), King’s College Travel Grants, the Prins Bernhard Cultuurfonds, University Faculty Fieldwork Fund, and the Yorkist History Trust.</uketdterms:sponsor>
   <dcterms:isReferencedBy xsi:type="dcterms:URI">https://www.repository.cam.ac.uk/handle/1810/382206</dcterms:isReferencedBy>
   <uketdterms:embargotype>embargo</uketdterms:embargotype>
   <uketdterms:embargodate>2031-04-02</uketdterms:embargodate>
   <dc:identifier xsi:type="dcterms:URI">https://www.repository.cam.ac.uk/bitstreams/17470412-38a8-4f7f-8ea8-e2470729743f/download</dc:identifier>
   <uketdterms:checksum xsi:type="uketdterms:MD5">231a001f6dba357b198d5110f9398c72</uketdterms:checksum>
   <dcterms:license>https://www.repository.cam.ac.uk/bitstreams/7c06b117-db6a-4ce7-83dc-52ba1528ccbc/download</dcterms:license>
   <uketdterms:checksum xsi:type="uketdterms:MD5">87eda9de84448d1f82354d60eee3eb5f</uketdterms:checksum>
   <dc:rights>http://purl.org/NET/rdflicense/allrightsreserved</dc:rights>
   <dc:subject>Florence</dc:subject>
   <dc:subject>Funerary culture</dc:subject>
   <dc:subject>Padua</dc:subject>
   <dc:subject>Renaissance Italy</dc:subject>
   <dc:subject>Rome</dc:subject>
   <dc:subject>Sermons</dc:subject>
   <dc:subject>Tombs</dc:subject>
</uketd_dc:uketddc>
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