<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-24T16:53:00Z</responseDate><request verb="GetRecord" identifier="oai:www.repository.cam.ac.uk:1810/376720" metadataPrefix="uketd_dc">https://api.repository.cam.ac.uk/server/oai/request</request><GetRecord><record><header><identifier>oai:www.repository.cam.ac.uk:1810/376720</identifier><datestamp>2024-11-30T01:42:11Z</datestamp><setSpec>com_1810_221776</setSpec><setSpec>com_1810_256061</setSpec><setSpec>col_1810_221777</setSpec></header><metadata><uketd_dc:uketddc xmlns:uketd_dc="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:uketdterms="http://naca.central.cranfield.ac.uk/ethos-oai/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/ http://naca.central.cranfield.ac.uk/ethos-oai/2.0/uketd_dc.xsd">
   <dc:title>Narrating Hospitality: Salons in French Fiction, 1789–1848</dc:title>
   <dc:identifier xsi:type="dcterms:DOI">https://doi.org/10.17863/CAM.113835</dc:identifier>
   <dc:creator>Lepper, Ellamae</dc:creator>
   <uketdterms:advisor>White, Claire</uketdterms:advisor>
   <uketdterms:advisor>Sugden, Rebecca</uketdterms:advisor>
   <dcterms:abstract>This thesis calls for renewed attention to the space of the salon – the primary site of
hospitality in an aristocratic or haut-bourgeois household – in early nineteenth-
century French literature, particularly within feminist scholarship. It considers
fictional discourse on the salon through Derrida’s theory of hospitality, and through
feminist deconstructions of the figure of the hostess in Western narrative. Through
chapters on three authors – Mme de Staël, Stendhal, and Balzac – the thesis
maintains a focus on the salon as signifier of hospitality’s inevitable failures and
contradictions, counter to its more usual reputation as symbol of an idealised French
conversation culture, and argues that hostesses provide a focal point for literary
anxiety about hospitality. Identifying Staël as a surprisingly non-nostalgic
commentator on Parisian salons, it suggests that this room’s most important function
in her novels is as a space in which to critique France’s neglect of key ethical values,
prompting questions about what nuances we risk erasing from her thought by
rhetorically situating her career entirely within the salon. A chapter on Stendhal digs
deeper into the hostess’s structural relationship with masculine self-mastery and
identity; aiming to soften some past assessments of his fiction as misogynist, while
noticing the limitations of his wish to see hospitable women valued more highly.
Finally, the third chapter explores three texts from Balzac’s Comédie humaine, asking
whether even Balzac’s most eulogistic writings on the salon do not in fact do the work
of ensuring its obsolescence, positioning the Realist narrator as successor to the salon
hostess in allowing access to the monde. Each of these novels represents a key
nineteenth-century instalment in the story of the salon as told by France to itself; this
project aims to enrich our understanding of that narrative as narrative, with
implications for an evolving cultural imaginary of the socially powerful woman.</dcterms:abstract>
   <uketdterms:institution>University of Cambridge</uketdterms:institution>
   <dcterms:issued>2024-05-02</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <uketdterms:qualificationlevel>Doctoral</uketdterms:qualificationlevel>
   <uketdterms:qualificationname>Doctor of Philosophy (PhD)</uketdterms:qualificationname>
   <dc:language>eng</dc:language>
   <uketdterms:sponsor>The Harding Distinguished Postgraduate Scholarship Programme</uketdterms:sponsor>
   <dcterms:isReferencedBy xsi:type="dcterms:URI">https://www.repository.cam.ac.uk/handle/1810/376720</dcterms:isReferencedBy>
   <uketdterms:embargotype>embargo</uketdterms:embargotype>
   <uketdterms:embargodate>2025-11-29</uketdterms:embargodate>
   <dcterms:license>https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/c53566be-81da-46b7-9f3c-f9730494b3b8/download</dcterms:license>
   <uketdterms:checksum xsi:type="uketdterms:MD5">87eda9de84448d1f82354d60eee3eb5f</uketdterms:checksum>
   <dc:identifier xsi:type="dcterms:URI">https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/dcf30091-6345-4f02-b0c8-079cdf891cf5/download</dc:identifier>
   <uketdterms:checksum xsi:type="uketdterms:MD5">c6f10c98a5b65cb1a472e9726a394d38</uketdterms:checksum>
   <dc:rights>https://www.rioxx.net/licenses/all-rights-reserved/</dc:rights>
   <dc:subject>Literature</dc:subject>
   <dc:subject>France</dc:subject>
   <dc:subject>Salons</dc:subject>
   <dc:subject>Hospitality</dc:subject>
   <dc:subject>Novels</dc:subject>
   <dc:subject>Mme de Staël</dc:subject>
   <dc:subject>Stendhal</dc:subject>
   <dc:subject>Honoré de Balzac</dc:subject>
   <dc:subject>The Nineteenth Century</dc:subject>
</uketd_dc:uketddc>
</metadata></record></GetRecord></OAI-PMH>