<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-21T14:13:21Z</responseDate><request verb="GetRecord" identifier="oai:www.repository.cam.ac.uk:1810/346196" metadataPrefix="uketd_dc">https://api.repository.cam.ac.uk/server/oai/request</request><GetRecord><record><header><identifier>oai:www.repository.cam.ac.uk:1810/346196</identifier><datestamp>2023-12-22T13:52:15Z</datestamp><setSpec>com_1810_218818</setSpec><setSpec>com_1810_256063</setSpec><setSpec>col_1810_218819</setSpec></header><metadata><uketd_dc:uketddc xmlns:uketd_dc="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:dcterms="http://purl.org/dc/terms/" xmlns:uketdterms="http://naca.central.cranfield.ac.uk/ethos-oai/terms/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xmlns:doc="http://www.lyncode.com/xoai" xsi:schemaLocation="http://naca.central.cranfield.ac.uk/ethos-oai/2.0/ http://naca.central.cranfield.ac.uk/ethos-oai/2.0/uketd_dc.xsd">
   <dc:title>Colour and Colour Vision in Late Nineteenth Century British Sciences</dc:title>
   <dc:identifier xsi:type="dcterms:DOI">10.17863/CAM.93617</dc:identifier>
   <dc:creator>Bridgman, Gregory</dc:creator>
   <uketdterms:advisor>Staley, Richard</uketdterms:advisor>
   <dcterms:abstract>This thesis employs a close reading of archival and published sources to explore the origins of
colour vision science in 19th century Britain. By drawing attention to wide ranging dialogues and
disagreements between diverse figures with different visions of colour, including physicists
David Brewster, James Clerk Maxwell, and Lord Rayleigh, politician and philologist William
Gladstone, ophthalmologists Frederick Edridge-Green and Robert Carter, and anthropologist
W.H.R Rivers, I show that 19th century colour vision science was not narrowly confined to the
quantification, measurement, and classification of colours. It was instead shaped by deeper
metaphysical questions and wider political concerns. These questions and concerns included
the implications of natural law, free-will, and materialism for scientific understandings of
reality, the limits of Darwinian understandings of humanity, the legitimacy of scientific experts
and institutions in determining public policy, and the history, future, and advancement of
civilization.

I argue that the widespread use of spinning discs as an experimental research technology,
promoted by Brewster and Maxwell, combined with the mainstream acceptance of Maxwell’s
theoretical model of ‘coterminal response curves’, generated conflicts between competing
understandings of perception, vision, and colour in the second half of the 19th century. These
conflicts stemmed from the establishment of new conventions, inspired by Maxwell’s work,
which held that scientists should maintain a practical and analytical distance from their own
visual experiences, that the visual experiences of test subjects should be treated as
untrustworthy phenomena in need of further analysis, and that the meaning of subjective
experiences are contained within, and revealed by, mathematical models that accord with a
rational understanding of the physical world. These practical and metaphysical approaches to
the meaning of human experience did not end with the conflicts they generated in the second
half of the 19th century but continue to bear on broader contemporary understandings of truth
and illusion in scientific practice and popular imagination.</dcterms:abstract>
   <uketdterms:institution>University of Cambridge</uketdterms:institution>
   <dcterms:issued>2022-08-16</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <uketdterms:qualificationlevel>Doctoral</uketdterms:qualificationlevel>
   <uketdterms:qualificationname>Doctor of Philosophy (PhD)</uketdterms:qualificationname>
   <dc:language>eng</dc:language>
   <uketdterms:sponsor>Cambridge Trust</uketdterms:sponsor>
   <dcterms:isReferencedBy xsi:type="dcterms:URI">https://www.repository.cam.ac.uk/handle/1810/346196</dcterms:isReferencedBy>
   <dc:identifier xsi:type="dcterms:URI">https://apollo8-f-pro.lib.cam.ac.uk/bitstreams/d21b37c6-3e6d-42fc-bab5-1ef5ef7a8239/download</dc:identifier>
   <uketdterms:checksum xsi:type="uketdterms:MD5">c3f0ed894e73d28252c4cd697e082679</uketdterms:checksum>
   <dc:rights>https://www.rioxx.net/licenses/all-rights-reserved/</dc:rights>
   <dc:subject>1890 Committee on Colour Vision</dc:subject>
   <dc:subject>19th Century Science</dc:subject>
   <dc:subject>Colour</dc:subject>
   <dc:subject>Colour Perception</dc:subject>
   <dc:subject>Colour Vision</dc:subject>
   <dc:subject>Co-terminal Response Curves</dc:subject>
   <dc:subject>David Brewster</dc:subject>
   <dc:subject>Frederick Edridge-Green</dc:subject>
   <dc:subject>Goethe</dc:subject>
   <dc:subject>History of Anthropology</dc:subject>
   <dc:subject>History of Physics</dc:subject>
   <dc:subject>History of Science</dc:subject>
   <dc:subject>James Maxwell</dc:subject>
   <dc:subject>Philosophy of Colour</dc:subject>
   <dc:subject>Philosophy of Perception</dc:subject>
   <dc:subject>Philosophy of Physics</dc:subject>
   <dc:subject>Philosophy of Science</dc:subject>
   <dc:subject>Psychical Research</dc:subject>
   <dc:subject>Psychology of Colour</dc:subject>
   <dc:subject>Psychology of Perception</dc:subject>
   <dc:subject>Rayleigh</dc:subject>
   <dc:subject>Royal Society Committee on Colour Vision</dc:subject>
   <dc:subject>Sciences of Illusion</dc:subject>
   <dc:subject>Society for Psychical Research</dc:subject>
   <dc:subject>Thomas Young</dc:subject>
   <dc:subject>Torres Strait</dc:subject>
   <dc:subject>Torres Strait Expedition</dc:subject>
   <dc:subject>Trichromacy</dc:subject>
   <dc:subject>W.H.R. Rivers</dc:subject>
   <dc:subject>William Gladstone</dc:subject>
   <dc:subject>William Halse Rivers</dc:subject>
   <dc:subject>Young-Helmholtz theory of trichromatic colour vision</dc:subject>
   <dc:subject>Spinning Discs</dc:subject>
   <dc:subject>Colour Discs</dc:subject>
   <dc:subject>James David Forbes</dc:subject>
   <dc:subject>James Forbes</dc:subject>
</uketd_dc:uketddc>
</metadata></record></GetRecord></OAI-PMH>