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   <dc:title>The sanctuary of art: images in the assessment and design of light in architecture</dc:title>
   <dc:identifier xsi:type="dcterms:DOI">10.17863/CAM.16320</dc:identifier>
   <dc:creator>Demers, Claude Marie Helene</dc:creator>
   <dcterms:abstract>This research proposes a design method that enables quantitative and qualitative assessments of&#xd;
light in space. The simplicity of the approach facilitates its integration into the architectural design&#xd;
process by using available technologies. The methodology concentrates on the early design stage&#xd;
since it expresses the architect's intention of a particular atmosphere that will govern further&#xd;
developments of the project. It takes into account the increasing interest in the utilisation of&#xd;
photography as an important part of the design process, and adds a quantifiable aspect to light as it&#xd;
offers the possibility to integrate numerical values when required. The visual representation of light&#xd;
as a pattern, instead of numerical values, facilitates the quantitative assessment and relates to&#xd;
existing techniques of lighting analysis, such as the isolux contours. The research emphasises and&#xd;
develops the possibilities offered by a partially computerised approach using calculation method&#xd;
and physical modelling. It combines the use of physical models, video camera, and computerised&#xd;
image analysis as main tools for the evaluation of light. The resulting data collection and visualisation&#xd;
of the lighting effects constitute a bank of images for the generation of space from lights. The&#xd;
combination of images creates spaces issued from the nature of light, allowing new ideas in the&#xd;
development of the initial design stages. The research defines the potential and limitations of the&#xd;
use of images in the composition of space according to the physical properties of light. The lighting&#xd;
pattern also constitutes the basis for a classification of lights which relates to the design method&#xd;
using images. It proposes a link between quantitative and qualitative aspects of light stemming from&#xd;
spatial components and apertures. The classification acknowledges the architect's intuitive&#xd;
approach to design.</dcterms:abstract>
   <uketdterms:institution>University of Cambridge</uketdterms:institution>
   <dcterms:issued>1997</dcterms:issued>
   <dc:type>Thesis</dc:type>
   <uketdterms:qualificationlevel>Doctoral</uketdterms:qualificationlevel>
   <uketdterms:qualificationname>Doctor of Philosophy (PhD)</uketdterms:qualificationname>
   <dc:language>eng</dc:language>
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