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<front>
<journal-meta>
<journal-id journal-id-type="doi">10.1111/(ISSN)1467-8705</journal-id>
<journal-id journal-id-type="publisher-id">CRIQ</journal-id>
<journal-title-group>
<journal-title xml:lang="en">Critical Quarterly</journal-title>
<abbrev-journal-title abbrev-type="publisher" xml:lang="en">Critical Quarterly</abbrev-journal-title>
</journal-title-group>
<issn publication-format="ppub">0011-1562</issn>
<issn publication-format="epub">1467-8705</issn>
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<article-meta>
<article-id pub-id-type="doi">10.1111/criq.12805</article-id>
<article-id pub-id-type="publisher-id">CRIQ12805</article-id>
<article-id pub-id-type="society-id">7956304</article-id>
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<subj-group subj-group-type="overline" xml:lang="en">
<subject>ORIGINAL ARTICLE</subject>
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<subj-group subj-group-type="heading" xml:lang="en">
<subject>ORIGINAL ARTICLE</subject>
</subj-group>
</article-categories>
<title-group>
<article-title xml:lang="en">Sondheim’s Puzzles</article-title>
<alt-title alt-title-type="right-running-head">Sondheim’s Puzzles</alt-title>
</title-group>
<contrib-group>
<contrib id="criq12805-cr-0001" contrib-type="author" corresp="yes">
<name>
<surname>Whitaker</surname>
<given-names>Harrison</given-names>
</name>
<contrib-id contrib-id-type="orcid">https://orcid.org/0009-0002-7580-7995</contrib-id>
<bio>
<p xml:lang="en">Harrison Whitaker has recently submitted his PhD dissertation, ‘Types in Transition: The Evolution of the Working Man in New Hollywood Cinema,’ at the University of Cambridge’s Centre for Film &amp; Screen. His article ‘How Hollywood Watched Television’ won <italic>Cambridge Quarterly</italic>’s Richard D. Gooder Essay Prize in 2023, and his other work has appeared or is forthcoming in <italic>New Review of Film and Television Studies</italic> and <italic>Historical Journal of Film, Radio and Television</italic>.</p>
</bio>
<email>hmw69@cam.ac.uk</email>
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<sup>1</sup>
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<label>
<sup>1</sup>
</label>

<institution>University of Cambridge</institution>

<city>Cambridge</city>
 <country country="GB">UK</country>
</aff>
<pub-date date-type="pub" publication-format="electronic"><day>29</day>
<month>12</month>
<year>2024</year>
</pub-date><fpage/><lpage/><history>

<date date-type="rev-recd">
<day>17</day>
<month>12</month>
<year>2024</year>
</date>

<date date-type="received">
<day>16</day>
<month>08</month>
<year>2024</year>
</date>

<date date-type="accepted">
<day>17</day>
<month>12</month>
<year>2024</year>
</date>

</history>
<permissions>
<copyright-statement content-type="issue-copyright">© 2024 John Wiley &amp; Sons Ltd</copyright-statement>
<copyright-statement content-type="article-copyright">© 2024 The Author(s). <italic>Critical Quarterly</italic> published by John Wiley &amp; Sons Ltd.</copyright-statement>
<copyright-year>2024</copyright-year>
<copyright-holder>© 2024 The Author(s). Critical Quarterly published by John Wiley &amp; Sons Ltd.</copyright-holder>
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<ali:license_ref>http://creativecommons.org/licenses/by/4.0/</ali:license_ref>
<license-p>This is an open access article under the terms of the <ext-link ext-link-type="uri" xlink:href="http://creativecommons.org/licenses/by/4.0/">Creative Commons Attribution</ext-link> License, which permits use, distribution and reproduction in any medium, provided the original work is properly cited.</license-p>
</license>
</permissions>
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<page-count count="16"/>
<word-count count="4995"/>
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</front>
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